Tuesday, January 29, 2008

SALON won't quit Bill Clinton, but doing short-term contortions over his campaign-trail antics.

Yes, we all know the Bay Area webzine SALON had a past where Bill Clinton's behavior during Monicagate (essentially wasting a year of his Presidency over pigheadedness instead of taking a hit in February of 1998, putting it behind him and moving on) was stridently defended.

And Glenn Greenwald's blog post below probably is an indicator of the loud internal debates going on in the SALON offices over whether Bill's race-card shenanigans should be condemned or given a one-time pass because Hillary's election means a return to the Good Old Days when the Clintons and SALON could profit from posturing about being caught in the crosshairs of right-wing hatred.

Here's Mr. Greenwald's article:

http://www.salon.com/opinion/greenwald/2008/01/27/clinton/index.html

Monday, January 28, 2008

NEWSWEEK still can't quit Bill Clinton.

One would think that the mainstream media would join a lot of Democrats in waking up to the reality of Bill Clinton's hypocrisies and mendacities (most recently, Bill's racist/condescending remark equating Barack Obama's Presidential campaign with those of Jesse Jackson) a decade after being coerced (likely by such wonderful spinmeisters as Joe Conason, James Carville and Sidney Blumenthal) into rallying around Bill during the battle against Kenneth Starr during Monicagate.

Take a look at this NEWSWEEK article to learn otherwise:

http://www.newsweek.com/id/105679

 

Thursday, January 24, 2008

Re campaign horse race coverage: The vapidity of MSNBC's Contessa Brewer.

Remember awhile back when I mentioned the cringe-inducing "get to know me" ad of MSNBC's Contessa Brewer (a sort of Courtney Cox Arquette clone) singing karaoke?

Thanks to the Gawker.com website, I found this link from the site of the Columbia School of Journalism:

http://www.cjr.org/campaign_desk/omg_msnbc.php

What a great moronic discussion between Contessa and Ben Shapiro (another shallow, image-obsessed person) over whether or not Hillary Clinton should use Botox during the current campaign!

Perhaps Bill Clinton shoud aim his finger-wagging outrage at NBCUniversal for the time being.

Wednesday, January 23, 2008

Regarding the lesser-known films of Heath Ledger.

Like most people, I was surprised and saddened by the death of actor Heath Ledger yesterday.

I haven't seen some of Ledger's film work (namely NED KELLY, CANDY and LORDS OF DOGTOWN).

Please feel free to mention if any or all of these films are worth catching up with on DVD or cable.

Monday, January 21, 2008

Filling in the blanks re the obits for Suzanne Pleshette and John Stewart.

When celebrities pass away, the younger writers who do obituaries often opt to write a couple of quick sentences about what the celeb did that was Most Popular or Recognizable to the current generation--and the remainder of the celeb's career is forgotten (apparently because it's too much bother to take a couple of extra minutes to Google for added information on the celeb).

Suzanne Pleshette had a varied career in film before THE BOB NEWHART SHOW (being both a Warner Brothers contract starlet, i.e. ROME ADVENTURE with Troy Donahue and a Walt Disney Productions female lead, i.e. THE UGLY DACHSUND with Dean Jones).  The Newhart series gave her Icon status and paved the way for more TV work (one late example was playing James Garner's wife in the sitcom 8 SIMPLE RULES).  Simply put, Ms. Pleshette (whose actor brother John once played Lee Harvey Oswald in a hypothetical what-if-Oswald-lived-to-stand-trial TV-movie) could make bad scripts bearable and was terrific with great material (as THE BOB NEWHART SHOW attests).  And one hopes that some of Ms. Pleshette's more grown-up film work (such as A RAGE TO LIVE, SUPPORT YOUR LOCAL GUNFIGHTER and IF IT'S TUESDAY, THIS MUST BE BELGIUM) might get aired soon on Turner Classic Movies.

John Stewart was characterized in obits as the writer of "Daydream Believer" (which was a smash single for The Monkees) and former member of The Kingston Trio, with a cursory nod to his 40 albums as a solo artist.

One of those albums, CALIFORNIA BLOODLINES, is treasured by aficionados of folk music.  A later, more folk-rock album, 1979's BOMBS AWAY DREAM BABIES, actually had a hit single called "Gold", with backing vocals from Stevie Nicks.

 

Random list re the current trivialization of the Presidential campaign process.

Channeling Larry King again, here's a couple of random examples of what I consider birdbrained Presidential horse-race coverage:

1. Keith Olbermann showing his partiality to the Clintons by distorting Barack Obama's comments about Ronald Reagan being an agent of "change."  No, I didn't vote for Reagan and I was well aware of the damage he did to social services and public health (let's not forget the refusal to act on AIDS because it was a "gay disease") so the U.S. could have a bloated defense budget and covert military ops.  But to mischaracterize Obama's generalized "Reagan as leader of movement" remark as an endorsement of Reaganism is something akin to the behavior Olbermann frequently skewers nemesis Bill O' Reilly for.

2. Precious TV/online time devoted to Mike Huckabee's pet movie/TV star Chuck Norris (a man in his 60s) making a silly comment about John McCain's age (meant apparently to be code for "he may have health issues like Paul Tsongas did").  It's grimly amusing that the party that gave America Ronald Reagan (not a youngster when he was elected) would resort to this kind of intraconservative  feces-throwing.

Wednesday, January 16, 2008

A letter to David L. Ulin of the LOS ANGELES TIMES.

Recently, I sent the following letter via e-mail to David Ulin, editor of the Sunday Book Review section of the LOS ANGELES TIMES.  Since Mr. Ulin didn't respond, I'm printing it here due to its relevance.

Dear Mr. Ulin,
 
Recently, you (panning the latest Bukowski anthology in the L.A. TIMES) said something interesting about the literary scene when you came along in the early 90s.  To paraphrase, you said the rivalries are more vicious when the stakes are low.  I'm guessing you meant that a scene running mostly on campaigning for prestige tends to eat its own when there's not a plethora of publishing opportunites and other means for exposure.
 
If you could, please take time to elaborate on what you said in the review and don't hesitate to correct any misinterpretations I may have.  I'm a lower-rung poet in L.A. (with one "published" poem in a years-ago Tebot Bach anthology) and it seems like the more time passes, the more things stay the same (certainly, the local poetry scene's pendulum is tilted more to formality in verse and interrelationships than acceptance of eccentricity and egalitarianism--as it might have been when you first moved here).
 
Sincerely,
Terry McCarty