Saturday, September 15, 2007

You just can't make a tasteful upscale film about vigilantism.

Here's a comment I left on the Hollywood Elsewhere blog, expanded here:

I'm sorry to say this but THE BRAVE ONE is the worst film Neil Jordan (best known for MONA LISA and THE CRYING GAME) has made to date--even worse than WE'RE NO ANGELS (the now-mostly-forgotten "escaped convicts on the run" period comedy/drama with Robert De Niro, Sean Penn and Demi Moore).

And Jodie Foster needs to get off her ass and work in a film each and every year--even if it's a five-minute role in a nonstudio indie (or even as a voluntary PA for AFI student video projects). This might rid her of the "I'm prestigious" curse that can sometimes mar her acting--plus the carefully-choreographed press she does with each film.

If Jodie Foster has to do a commercial film to pay the bills for herself, her significant other and the kids, far better it be something like PANIC ROOM or FLIGHT PLAN--unapologetic genre films that don't try to make Important Social Statements while being tippy-toe cautious about avoiding the risk of causing the "unsophisticated" (Jodie's description of some potential audience members in at least two THE BRAVE ONE junket interviews) to cheer for the death of one-dimensional "bad guy" characters.

Basically, THE BRAVE ONE was, in terms of pretentiousness, NELL with guns:
chick-a-pea bang bang.

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