Post-mortem to the 2012 SAG Awards.

http://hollywood-elsewhere.com/2012/01/tired_blood.php

After last night, I'm prognosticating THE HELP as winner of the Best Picture Academy Award for a simple reason: it's an uplifting (haven't seen it, but taking its fans' viewpoint into consideration) commercial hit, which will be seen by more people than THE ARTIST (which I did see, and it will probably be too strange/esoteric and "why aren't they talking" for non-big-city audiences).

Was also sad for Steve Carell to lose yet another award opportunity for playing Michael Scott on the US version of THE OFFICE.  Guessing that the uneven quality of Season 7 (which has persisted into the current episodes of the show) might have been a big factor.

http://www.deadline.com/2012/01/labor-law-expert-criticizes-sag-aftra-as-the-merger-that-solves-nothing/
And, as for the SAG/AFTRA merger (a fait accompli partially accomplished by AFTRA underbidding SAG on certain TV projects), it's a bad idea that was a long-ago bad idea when I was more active in SAG in the 90s (working as background actor/stand-in) and the membership-at-large frequently voted it down despite the tireless efforts of people like ex-SAG President Richard Masur to force it into reality.

But a recession economy is doing the unfortunate trick of making SAG actors sign onto the merger of an actors' union with a union that represents a lot of radio/television employees (anchorpeople, etc.) who are not actors.

All I can say is good luck trying to make all the merged actors generally happy with what could result (remembering all too well SAG's acquiring of jurisdiction over background actors in 1992, leading to the demise of the Screen Extras Guild and, temporarily, causing lower per-day rates because SAG wanted to "get the jurisdiction.").

Nikki Finke on delay of SAG strike authorization vote.

Whether or not the Screen Actors Guild "vote yes for strike authorization re the AMPTP contract" contingent or the actor/producer contingent (including George Clooney, Tom Hanks and Danny DeVito--thinking more of their production deals than of rank-and-file actors) urging members to vote no (and wait three years for the next negotiating period) wins out is an open question at this time.

Here's Nikki Finke with her opinion of the delay in the strike authorization vote--and why she thinks it may be a good thing: http://www.deadlinehollywooddaily.com/dhd-to-sag-forget-strike-authorization-ballot-vote-on-contract-proposal/

Regardless of who wins or doesn't win the issue of the current SAG contract, the switch of TV episode reruns to websites (aka New Media) from over-the-airwaves broadcasts is a big deal and actors deserve proper residual compensation. To my mind, regardless of the AMPTP propaganda (sometimes transmitted by Patrick Goldstein of THE LOS ANGELES TIMES), it's a lot better that SAG and the producers get this worked out now than waiting another three years--when there will be other AMPTP-created reasons not to deal with the New Media issue.