Showing posts with label Rafael FJ Alvarado. Show all posts
Showing posts with label Rafael FJ Alvarado. Show all posts

Friday, April 22, 2011

Here's to the Culture-Shaping Commandos!

I've begun reading the DON'T BLAME THE UGLY MUG anthology--and am busy in absorbing each poem on its own merits (Rick Lupert and Eric Lawson's contributions stand out in a good way at this unfinished point in the journey).

But, unfortunately, I'm a bit troubled by the Victor Infante introduction.

Despite saying some kind (and accurate) words about Steve and Ben's stewardship, it's Victor's tendency to let his occasionally gushing, perhaps occasionally inadvertently condescending Arbiter of Taste flag fly:
"...where some of the brightest stars in poetry today have popped their heads in to read"
"....why so many heavyweights of various poetic stripes are willing to travel to the outskirts of a mid-sized SoCal town to read"
"a little homey community reading" (note for all who read this: "community reading" is poetry code for "tolerant of amateurs")
and here's the passage (highlighted by me) that tells you all you want to know about Victor Infante and his ethos that poetry belongs to Navy Seals of letters, and that baby blue Marines deserve the washout they get:
"And that's the secret to running a reading, and indeed to poetry in general.  It's hard, exhausting work--frustrating often and grueling always--but then you get those moments when someone who's never read a poem in public before brings a jaded poetry audience [!] to tears. or when a kid who's been reading for a couple months pops up with something that matches anything the heavyweights have to offer, and suddenly, it's magic."

Safe to say it's the kind of passage written by a human being now used to routine acceptance from publishers/literary journals.

Actually, the combat-unit of literary elites trope isn't something I made up myself.  Richard Beban, in the midst of a scolding seven-page letter [!] to me, used that same metaphor--listing poets by their last names: Lupert, Constantine, Arroyo etc. etc.

The reason I'm writing this post has nothing to do with envy: a lot of poets who have survived over the thirteen years I've been involved with SoCal poetry deserve accolades for their work on page/stage.

Instead, it's to make a comment on the post-2003 SoCal poetry environment where people such as (I'll list them by last names) Beban, Thomas, Infante, Brown, Alvarado determine who makes it into the lifeboats in an apparent expression of concern that if poetry culture isn't given the proper shaping for quality (and to discourage and weed out "amateurs"), the potential listening public could choose "wrong."

Therefore, you have a lot of people wielding brooms who are secretly frightened of being swept into obscurity by the brooms of others.

Sunday, November 7, 2010

It was one of the Best of Times....

Giving some public thanks to Rafael F. J. Alvarado, S.A. Griffin and new Beyond Baroque director Richard Modiano for yesterday's Beyond Baroque marathon of poets and writers.

During the time I was there, I got to see Wanda Coleman (for the first time ever), Pam Ward (ditto), Doug Knott and Gerald Locklin--among others (including the talented young Orange County poet Jennifer Donnell).

It was a good learning experience and it reminded me a bit of the kind of poetry and readings that don't seem as prevalent now in today's SoCal literary scene.

Please support Beyond Baroque now and in the future by going to its readings and buying books/chapbooks from the bookstore.

Monday, December 21, 2009

A brief summary of the decade in Los Angeles poetry.

In 2000, poetry in L.A. had room for just about everyone who wanted to participate.

As 2010 approaches, the remaining "scene" tends to have both official and unofficial quality controls in terms of the "prestige" readings. With the decline of "independent" bookstores and
coffeehouses, there are fewer "informal" readings. And even some of the remaining coffeehouse readings are now run by hosts that want to import gravitas more than nurture a viable writing community.

Re my current feelings: I'm reminded of BEING JOHN MALKOVICH's scenes where people, after being inside Malkovich's mind, find themselves dumped out alongside a New Jersey expressway.