I'm partway through reading Pete Townshend's long-awaited autobiography WHO I AM--and it made me think of a playlist of Townshend songs (both solo and Who recordings) compatible with the book:
English Boy
Misunderstood
The Kids Are Alright
Pure And Easy
However Much I Booze
Athena
Empty Glass
And I Moved
Jools And Jim
A Little Is Enough
The Sea Refuses No River
Somebody Saved Me
Exquisitely Bored
Slit Skirts
You Better You Bet
Daily Records
Don't Let Go The Coat
A Friend Is A Friend
Cry If You Want
Showing posts with label Roger Daltrey. Show all posts
Showing posts with label Roger Daltrey. Show all posts
Saturday, October 20, 2012
Friday, February 17, 2012
Pete Townshend sells his song catalog, wants to commercialize more Who songs.
http://www.rollingstone.com/music/news/the-who-sell-out-pete-townshend-gets-millions-for-back-catalog-20120217
I have a long enough memory to recall a 1989 interview in the departed magazine MUSICIAN where Charles M. Young, citing the Claymation-animated Dancing Raisins "I Heard It Through The Grapevine" commercial, outraged Pete Townshend by suggesting that selling songs for commercial use cheapened them (and listeners' memories thereof). In 2012, turning songs into TV jingles is commonplace--and sometimes essential for younger artists who might not get significant airplay otherwise.
Having read the article above, it does seem that Townshend sold himself short by not having absolute veto power on what Who (or solo) songs are used for film, TV, etc.
But perhaps part of the goal for Pete is to become rich enough where, as he enters his late sixties, he can resist calls by Roger Daltrey/Who manager Bill Curbishley to go back on the road after the proposed QUADROPHENIA tour.
I have a long enough memory to recall a 1989 interview in the departed magazine MUSICIAN where Charles M. Young, citing the Claymation-animated Dancing Raisins "I Heard It Through The Grapevine" commercial, outraged Pete Townshend by suggesting that selling songs for commercial use cheapened them (and listeners' memories thereof). In 2012, turning songs into TV jingles is commonplace--and sometimes essential for younger artists who might not get significant airplay otherwise.
Having read the article above, it does seem that Townshend sold himself short by not having absolute veto power on what Who (or solo) songs are used for film, TV, etc.
But perhaps part of the goal for Pete is to become rich enough where, as he enters his late sixties, he can resist calls by Roger Daltrey/Who manager Bill Curbishley to go back on the road after the proposed QUADROPHENIA tour.
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