An interesting discussion is taking place on a Bay Area poet's Facebook feed. She posed the issue of featured poets/writers who leave a reading early, as well as poets/writers who leave an open mic early.
First, let's hear from a literary poet, well known in California:
been
on both ends. features know when the crowd is there because they want
their 3 minutes of glory with the mic, not to listen to the feature. i
usually stay, and like most open mics, might hear 1-3 really good poems,
and a lot of really bad poetry. then
i'll watch them exit with their hands in their pockets because they
sure have no intention of buying a book or copy of my poetry mag. if i'm
lucky, the host might give me 20 bucks for my gas and a trip to
McDonald's. it's a glorious life. and the open-mic crowd wants a pieceof
the action.
Another commenter:
I
think it'd very bad form to leave before the end of a reading, if you
are reading yourself in any manner - unless of course circumstance
compels you to leave. In which case, it's very good form to let folks
know that you'll need to while you're at the
mic. I generally assume that in most cases, when someone gets up to
read and then leaves without mentioning that they need to, that they're
only there to hear themself. Which in turn makes me disinterested in
listening to their work in future, no matter what I might think of it.
Another commenter, who names Famous Names:
In
the 1980s I drove some ways to Cal State Dominguez Hills to hear Robert
Peters and Billy Collins, plus open mic. Pre-Mapquest, GPS, Google
Maps. Found the building on-campus and was delighted by the features.
They stayed for a little bit of the open
mic but not the whole thing. I was sad they didn't get to hear me but
not sorry I'd come. I believe Collins had been flown in for the event,
and I'm sure these giants of poetry had plenty to say to each other.
Entries about current events, arts and entertainment (including the competitive sport of poetry).
Showing posts with label attendance at poetry readings. Show all posts
Showing posts with label attendance at poetry readings. Show all posts
Sunday, March 29, 2015
Sunday, August 11, 2013
Exit Statement re my recent stint as poetry host.
From March to this past Friday, I was the Second Friday host in the poetry hosting rotation of The Rapp Saloon reading in Santa Monica CA. Earlier last week, I resigned my volunteer position.
This is the statement I posted Saturday on Facebook:
One comment on stepping down from hosting at The Rapp Saloon: it gets very disheartening to book poet/multiple poet bills and have few (or in one case, zero) people in attendance. And, yes, I'm aware that other venues cope with this too. In the Rapp's case, I'm also aware of years past when attendance on a weekly basis was good-to-excellent. I did my best in booking and promoting, and that's all I can say.
In addition, I was booked by another Rapp Saloon host (Joe Camhi) as a feature. No one came to see me. I'll make no further comment on this--except to say it happens to other poets too.
How much of this under-or-non-attendance is due to aging of certain poets, reluctance to drive long distances when gasoline is over $4.00 a gallon, or the reduction of the SoCal scene to Literary Pantheon Aspiration with gradual weeding out of Folk Art (something that certain prominent people in the scene dearly wanted) is a question that only you, the reader of this post, can answer.
That is, if you truly care about answering it.
This is the statement I posted Saturday on Facebook:
One comment on stepping down from hosting at The Rapp Saloon: it gets very disheartening to book poet/multiple poet bills and have few (or in one case, zero) people in attendance. And, yes, I'm aware that other venues cope with this too. In the Rapp's case, I'm also aware of years past when attendance on a weekly basis was good-to-excellent. I did my best in booking and promoting, and that's all I can say.
In addition, I was booked by another Rapp Saloon host (Joe Camhi) as a feature. No one came to see me. I'll make no further comment on this--except to say it happens to other poets too.
How much of this under-or-non-attendance is due to aging of certain poets, reluctance to drive long distances when gasoline is over $4.00 a gallon, or the reduction of the SoCal scene to Literary Pantheon Aspiration with gradual weeding out of Folk Art (something that certain prominent people in the scene dearly wanted) is a question that only you, the reader of this post, can answer.
That is, if you truly care about answering it.
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