Giving reality a middle finger, Las Vegas still loves machine guns and Michael Jackson.

Michael Jackson slot machines are still available in the wake of LEAVING NEVERLAND, the Cirque du Soleil show still runs at the Mandalay Bay Hotel and the MGM Grand Hotel still believes “Don’t Stop Till You Get Enough” is an eternal banger that must not be pulled from its music PA playlist.

And the Mandalay Bay-based massacre of innocent country music festival fans means nothing.  You can shoot machine guns from the ground (one business is called Battlefield Vegas) or from a helicopter (which at least travels into the desert before allowing customers to fire away).

As the late David Brenner said (in a different context referring to performing in clubs, but relevant here): “You can do anything in Vegas.”

After viewing the entirety of LEAVING NEVERLAND

Here's the brief review I posted on the Letterboxd.com site:
Dan Reed’s meticulous—If overlong and stuffed with too many drone-shot location scene transitions—forum given to Wade Robson, James Safechuck and assorted family members to describe the vast distance between Michael Jackson the beloved all-around entertainer and Michael Jackson the sexual abuser/psychological destroyer of young children.  The horrors of Part One are echoed in Part Two by the Michael-requested perjuries (following other boys coming forward with their anecdotes of damage)  plus Robson and Safechuck’s efforts to cope with the psychological fallout from being repeatedly used/discarded by the self-coronated King of Pop.