Monday, March 31, 2025

Revised: Casting an imaginary Judd Apatow L.A. poetry comedy set in early 2000s.

 Meant to be whimsical-spirited: 

Brendan Constantine-Paul Rudd 

Rick Lupert-Will Forte

Peggy Dobreer-Leslie Mann 

Kate Gale-Amy Schumer 

G. Murray Thomas-Loudon Wainwright III 

Raindog-Nick Nolte 

Bowerbird-Zach Galifianakis

Jim Doane-Will Ferrell

Leigh White-Alison Brie 

Derrick Brown-Jim Parsons 

Laurel Ann Bogen-Kathy Bates 

Michael Datcher-Giancarlo Esposito 

Suzanne Lummis-Lynn Herring 

Feel free to add actors and poetry personae to this list, but try to include as many people from the Apatow repertory as possible.

Friday, March 28, 2025

New Poem: THE RASPUTIN ELEVATOR OPERATOR

 Inspired by the now-defunct record/CD/DVD/VHS store in San Francisco.

 THE RASPUTIN ELEVATOR OPERATOR


 it holds four people 


 and then there’s you


 standing by the buttons 

 

 then crouching in the far left corner


 obeying the rules:


 NO HEADPHONES 


 you need to hear customers


 when playing CDs on the boombox


 NO NEWS RADIO


 you’re here to sell escape


 via music and movies

  

 not remind people of divisiveness 


 stand and crouch


 stand and crouch again


 and don’t freak out


 over eight hours


 (Including breaks)


 in a tiny space


 it’s a small price to pay


 before graduating to the stockroom 

Saturday, March 22, 2025

New Poem: POEM FOR THE EXTORTED

 (Inspired by Ben Folds Five “Song For The Dumped”)


 so you wanted

 to hit pause hard

 because we don’t 

 persecute dissent enough


give us the money back

give us the money back

Mr. President 


and we’ll send you

a free Columbia University 

short-sleeved T-shirt

Thursday, March 20, 2025

Revised Poem UP AND DOWN THE HILL VERSION 2

 


the 15-year-old boy with heightened emotions 

now the 65-year-old man calmly seeing an oncologist 

so much done so much tried so much curtailed 

taking medication getting sleepy hoping for more days

>

at 15, taught to fear, warned to avoid, 

harangued to PAY ATTENTION

in spite of ths I had some good times over the decades

dared to think for myself

was blessed/burned by consequences 

at 65, hoping for added years 

before affairs must become ordered


Wednesday, March 12, 2025

Excerpt from podcast episode about Quentin Tarantino’s ONCE UPON A TIME IN HOLLYWOOD (2021)

 “And I'm sure there's a few people like that that are multiple viewers of Quentin's audience that probably, you know, laugh straight up at the Mexican remark that Brad Pitt makes out in the back parking lot of Musso and Frank's, and probably laugh at the Bruce Lee sequence without thinking anything like, well, maybe I shouldn't be laughing at this because it's basically, I'm endorsing Brad Pitt's Cliff being a jackass. And I don't know. It's, I'm sure the other appeal of Once Upon A Time In Hollywood, if you're seeing it over and over and over and over and over, is the mourning (a form of primal scream/moose bellowing) over, especially Leo's character, obsolescence and that working conditions get worse and jobs are harder to find, and you have to go into Europe, because you're an American name, you can at least make movies, even though you know in the back of your mind, you're not likely to have a career balance like Clint Eastwood, or even Eli Wallach, or Lee Van Cleef did.


And I'm sure that there's a lot of people, me included, who like the sequence, where Leo and Brad just sit and talk movies that restaurant in Sherman Oaks, and probably would love to see like an hour of them riffing, and then you hear Quentin's voice from off camera, encouraging them to keep going.


Quentin does kind of recognize on some level that there's a kind of narrowness about the lower rungs of the industry, where people love to talk about movies (mostly old ones) and I've bonded with some of them, and sometimes the price of bonding is you get a heavy dose of very right-wing politics and or outright racism or sexism, and then you have to think very, very hard, is it worth the stress because you're around people that are, you know, really, really stunted and backward looking when you know the world is and should be bigger and more inclusive. 


You  can't really do a depiction of 1969 without, you know, showing people. being narrow and unenlightened.  The question is whether or not the filmmaker is depicting without endorsement or is he or she cuing  the audience to laugh a la Mel Gibson directing BRAVEHEART with Patrick McGoohan throwing his son to his death from a castle window.


From Reviews And Otherwise: BONUS EPISODE: SOME MILD HERESY REGARDING QUENTIN TARANTINO AND ONCE UPON A TIME IN HOLLYWOOD, Jun 28, 2021

https://podcasts.apple.com/us/podcast/reviews-and-otherwise/id1570012238?i=1000527088313&r=1553

This material may be protected by copyright.

Friday, February 28, 2025

New Poem: ZELENSKYY VS. THE USSA

 did Mark Burnett direct the televised violence 

 did Trump/Vance watch Poppy Bush holler at Dan Rather

 did Putin clap his hands and say Go Useful Idiots

 will the United States survive this chokehold on democracy 

 can we live with being told to be proud of being wrong

Monday, February 10, 2025

New Poem: AFTERLIFE MATCH GAME 25

 Gene Rayburn reads from the card

 and it says “Dumb Donald is so dumb…”

 Then the panelists and the audience respond:

 HOW DUMB IS HE?

Friday, February 7, 2025

DONALD TRUMP’S 2025-2026 KENNEDY CENTER SEASON.

 Just announced today; here are some of next season’s highlights:

 GODSPELL starring Kid Rock

 JESUS CHRIST SUPERSTAR with Billy Ray Cyrus alternating as Jesus and Judas

 A.I. JOHN WAYNE performing his 1970s spoken word album AMERICA WHY I LOVE HER

 Marie Osmond sings SANITIZED BEN FOLDS

 Snoop Dogg performing Swamp Dogg’s I’M NOT SELLING OUT, I’M BUYING IN

 BILLY GRAHAM’S WORLD WIDE PICTURES FILM FESTIVAL with Franklin Graham

 Jewel in a new revue titled TRUMP WILL SAVE YOUR SOUL

 POLITICALLY INCORRECT KENNEDY CENTER AWARDS 

 And more, much more to come as we turn the clock as far back as possible!