THE COVE--in case you're part of the 86% of this country who haven't heard of it--is a documentary film which tries to do two things at once. The first story it tells is of a former employee of Ivan Tors' FLIPPER TV series who changes from a dolphin trainer to a set-them-free-close-Sea-World-down-everywhere extreme activist. The gentleman in story one intersects with story two--about a Japanese town where big money is to be made from selling dolphins to Sea World-type parks and/or aquariums. Smaller money is made by brutally murdering dolphins in a secret cove and selling their meat (dangerously high in mercury), sometimes passed off as whale meat.
It's easy to get behind story two (and there's a bit of activism on the film's website to get the Japanese government to stop this mass slaughter), but a bit harder to accept story one unquestioningly.
The genie can't go completely back into the bottle re discontinuing the existence of dolphins and/or porpoises at Sea World or aquariums. But more stringent regulations regarding the care of dolphins--and an end to the "average everyday humans can swim alongside dolphins" tourism-- are necessary.
Here's Fisher Stevens (a co-producer of THE COVE) with a letter about how the film is being cold-shouldered by both the Tokyo Film Festival and Japanese distributors:
http://www.deadlinehollywooddaily.com/hypocrisy-thy-name-is-tokyo-film-festival/
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