Tuesday, July 22, 2014

The BlueInk review of HOLLYWOOD POETRY: 2001-2013.

A middling review from BlueInk, but at least it's from an outlet with no prior knowledge and/or preconceptions of me:
Hollywood Poetry: 2001-2013
Terry McCarty
Xlibris, 57 pages, $15.99, (paperback) $15.99, 9781479793822
(Reviewed: June 2014)
Terry McCarty’s Hollywood Poetry: 2001-2013 presents an interesting and original premise for a
collection of poems, as the work is “based on or inspired by [the author’s] experiences in the film
industry” as an extra and occasional stand-in for Hollywood stars.
McCarty’s poems are neither melodramatic in tone nor clich├ęd in description, evading two
common poetry pitfalls. However, these poems are also strikingly devoid of imagery, relying
almost exclusively on telling and summary details. For instance, in the opening poem “Clint
Eastwood in Italy,” the lines “I’m one day closer/ to my ultimate goal—stardom” appear twice.
While direct and explicit, the lines don’t engage the senses or paint a picture in the reader’s
mind. This pattern continues with similar statements, such as “I threw a lifetime of caution,
practicality/ and restraint to the wind./ I decided to become an actor—immediately” and “It was
one of those rare good days/ when I wasn’t worrying/ about who I should be/ and where my life
ought to be.” Such lines lack the prosody and imagination of more crafted work and read more
like jottings in a journal.
When more showing details are incorporated into these poems, the reader becomes instantly
more engaged. A strong example is: “AGNES MOOREHEAD IS GOD/ read the spray-paintedin-
black graffiti/ on a brick wall located at the back/ of a parking lot on Vine Street.” There are
also some formally innovative poems that fire the reader’s imagination, such as “Visiting Day,”
which makes good use of the second person, the “Botox Haiku,” and “Icarus’ Itinerary 2004
Version,” a retelling of the myth using the imperative form and drawing from the contemporary
Overall, this is promising material. The journalistic style of these poems allows for moments of
humor and insight. If the author can incorporate sensory details as well as a stronger
metaphorical dimension to balance the literal and documentary nature of these poems, his work
should have much appeal.
Also available as an ebook.

1 comment:

  1. Throwing something (anything) to the wind isn't "cliched"?