2014 List Part Two--Underwhelming Film/TV/Music of the year.

OVERRATED-TO-WILDLY-OVERRATED FILMS OF 2014:
BIRDMAN, THE GRAND BUDAPEST HOTEL, NIGHTCRAWLER
the first is a well-acted sorrow-and-pity wankfest with jazz drum score which overinflates an interesting idea about a movie star seeking credibility on the Broadway stage;  its success is apparently due to pandering to above-it-all audience members who moan about superhero product crowding out smarter films while refusing to seek out and champion the latter; terrific monologue about two-thirds of the way through from Lindsay Duncan playing a stereotypical I-will-destroy-you critic
re GRAND BUDAPEST: Wes Anderson doing a NATIONAL LAMPOON version of 30s-era Ernst Lubitsch films few people in the audience probably saw--but partially saved by brilliant seriocomic performance from Ralph Fiennes; a big step backwards from the excellence of MOONRISE KINGDOM
as for NIGHTCRAWLER: Dan Gilroy thinks he's doing a more profound exploration of the overobvious subject matter of violent, superficial local TV news than he actually is; Jake Gyllenhaal does his best with a two-dimensional cartoon Amoral Nowhere Man, while the real acting comes from Rene Russo, Bill Paxton and Riz Ahmed
WILDLY OVERRATED BY ROLLING STONE:
HIGH HOPES--an album released by Bruce Springsteen apparently to fill a Sony/Columbia Records contractual obligation; better that Springsteen had just released his versions of the title track and "Dream Baby Dream" as what used to be known as a Double-A side single online
DISAPPOINTMENT FROM A TALENTED DIRECTOR:
Terry Gilliam's mostly-seen-on-VOD THE ZERO THEOREM best serves its viewers by making them want to see BRAZIL again
BEST COMMENT ON CABLE NEWS IN 2014:
Larry King discussing missing-plane coverage of his former employer CNN by referring to its use of the term "Breaking News" as synonym for "Breaking Supposition" and "Breaking Speculation."
MILDLY OVERRATED FILMS OF 2014:
TOP FIVE--not quite Chris Rock's GOOD MORNING VIETNAM
INHERENT VICE--Paul Thomas Anderson's latest (adapted from Thomas Pynchon's novel) is better than most of what's out there in the marketplace, but a slight slide downhill after his twin masterpieces THERE WILL BE BLOOD and THE MASTER