http://blogs.suntimes.com/ebert/2010/03/see_you_at_the_movies.html
The above is Roger Ebert's glass-more-than-half-full eulogy for the AT THE MOVIES show--essentially the remnants of SNEAK PREVIEWS, the Siskel-and-Ebert show I first remember seeing on the Dallas, TX PBS outlet KERA-TV beginning around 1978 (when I was a college student living in Wichita Falls, TX).
Ebert and his wife Chaz are planning on a new film review show for TV--and I wish them well with their endeavor.
I'm curious as to who they can cut a deal with, given that there will be a lot of media conglomerates with we-don't-have-room-for-this-esoteric-low-dollar-generating-stuff attitude like the Walt Disney Company (which dealt the death blow to the Michael Phillips/A.O. Scott AT THE MOVIES this week).
Entries about current events, arts and entertainment (including the competitive sport of poetry).
Showing posts with label Michael Phillips. Show all posts
Showing posts with label Michael Phillips. Show all posts
Thursday, March 25, 2010
Monday, November 10, 2008
Repurposing film critics' reviews: not just for alternaweeklies.
Kevin Roderick of the site LA OBSERVED makes a note of Carina Chocano's recent departure from THE LOS ANGELES TIMES in favor of Tribune majordomos using reviews from THE CHICAGO TRIBUNE's Michael Phillips [who departed with Richard Roeper from Disney's AT THE MOVIES a few months back]: http://www.laobserved.com/archive/2008/11/carina_chocanos_replaceme.php
Of course, this isn't a brand-new phenomenon. Since Michael Lacey swallowed up a lot of alternaweeklies into his empire, readers of the not-what-it-once-was LA WEEKLY can occasionally read reviews from J. Hoberman (THE VILLAGE VOICE) and Robert Wilonsky (DALLAS OBSERVER).
Way cheaper than hiring new critics or even free-lancers who don't qualify for benefits.
Of course, this isn't a brand-new phenomenon. Since Michael Lacey swallowed up a lot of alternaweeklies into his empire, readers of the not-what-it-once-was LA WEEKLY can occasionally read reviews from J. Hoberman (THE VILLAGE VOICE) and Robert Wilonsky (DALLAS OBSERVER).
Way cheaper than hiring new critics or even free-lancers who don't qualify for benefits.
Subscribe to:
Posts (Atom)